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This authoritative collection of introductory and specialized readings explores the rich and innovative history of this period in American cinema. Spanning an essential range of subjects from the early 1900s Nickelodeon to the decline of the studio system in the 1960s, it combines a broad historical context with careful readings of individual films. Charts the rise of film in early twentieth-century America from its origins to 1960, exploring mainstream trends and developments, along with topics often relegated to the margins of standard film histories Covers diverse issues ranging from silent film and its iconic figures such as Charlie Chaplin, to the coming of sound and the rise of film genres, studio moguls, and, later, the Production Code and Cold War Blacklist Designed with both students and scholars in mind: each section opens with an historical overview and includes chapters that provide close, careful readings of individual films clustered around specific topics Accessibly structured by historical period, offering valuable cultural, social, and political contexts Contains careful, close analysis of key filmmakers and films from the era including D.W. Griffith, Charles Chaplin, Buster Keaton, Erich von Stroheim, Cecil B. DeMille, Don Juan, The Jazz Singer, I Am a Fugitive from a Chain Gang, Scarface, Red Dust, Glorifying the American Girl, Meet Me in St. Louis, Citizen Kane, Bambi, Frank Capra’s Why We Fight series, The Strange Love of Martha Ivers, Rebel Without a Cause, Force of Evil, and selected American avant-garde and underground films, among many others. Additional online resources such as sample syllabi, which include suggested readings and filmographies for both general specialized courses, will be available online. May be used alongside American Film History: Selected Readings, 1960 to the Present, to provide an authoritative study of American cinema through the new millennium

The complete fourteen film collection.

From Steven Spielberg's Lincoln to Clint Eastwood's American Sniper, this fifth edition of this classic film study text adds even more recent films and examines how these movies depict and represent the feelings and values of American society.· Analyzes major political and social currents during the decade and examines how Hollywood film dealt with these events and developments· Provides a political overview of the decade in film since the last edition of Praeger's American Film and Society Since 1945· Presents entries organized chronologically, by decades from 1945 to the present, making it easy for readers to quickly find information on films that interest them

From Steven Spielberg's Lincoln to Clint Eastwood's American Sniper, this fifth edition of this classic film study text adds even more recent films and examines how these movies depict and represent the feelings and values of American society.· Analyzes major political and social currents during the decade and examines how Hollywood film dealt with these events and developments· Provides a political overview of the decade in film since the last edition of Praeger's American Film and Society Since 1945· Presents entries organized chronologically, by decades from 1945 to the present, making it easy for readers to quickly find information on films that interest them

The American Film Institute Catalog easily surpasses all other reference works in its field for comprehensiveness, reliability, and utility. Its decade-by-decade, exhaustive, detailed, and carefully descriptive coverage is simply not approached by any other source. In a field bedevilled by quickly assembled and slipshod reference books, the AFI Catalog volumes are the one essential purchase for every library's film reference shelves, and individual researchers will also find them indispensable.Following the recently published set of volumes on the teen decade, the AFI research staff has now completed this far more massive set on the thirties―reaching into a period where many films have survived, many of them easily available and much beloved by film enthusiasts.For the thirties, the improved methodology developed for the teens is deployed in three vast volumes. Hundreds of films never before identified are included, on the basis of new preservation efforts. Extensive coverage is given to Spanish- and other foreign-language films, to foreign versions produced in the U.S., and to coproductions. Surprisingly, independent films figure largely; in some years, out of 500 films produced, 150-200 were independents―works of special social and cultural significance.

The business of filmmaking began with the Thomas Edison Studio in West Orange, New Jersey. Many studios have come and gone since then. From the little guys like feisty Mark Dintenfass and his 1905 "Actophone" unit (an unlicensed Pathé camera furtively grinding out films in defiance of the Motion Picture Patents Company) to heavyweights like Samuel Goldwyn and M-G-M, 66 studios of all sizes and specialties are covered in this book. The culmination of many years of exhaustive research, these detailed histories discuss films, stars, successes, and catastrophes. Numerous rare photographs are included.

The business of filmmaking began with the Thomas Edison Studio in West Orange, New Jersey. Many studios have come and gone since then. From the little guys like feisty Mark Dintenfass and his 1905 "Actophone" unit (an unlicensed Pathé camera furtively grinding out films in defiance of the Motion Picture Patents Company) to heavyweights like Samuel Goldwyn and M-G-M, 66 studios of all sizes and specialties are covered in this book. The culmination of many years of exhaustive research, these detailed histories discuss films, stars, successes, and catastrophes. Numerous rare photographs are included.

The American Film Institute Catalog easily surpasses all other reference works in its field for comprehensiveness, reliability, and utility. Its decade-by-decade, exhaustive, detailed, and carefully descriptive coverage is simply not approached by any other source. In a field bedevilled by quickly assembled and slipshod reference books, the AFI Catalog volumes are the one essential purchase for every library's film reference shelves, and individual researchers will also find them indispensable.Following the recently published set of volumes on the teen decade, the AFI research staff has now completed this far more massive set on the thirties―reaching into a period where many films have survived, many of them easily available and much beloved by film enthusiasts.For the thirties, the improved methodology developed for the teens is deployed in three vast volumes. Hundreds of films never before identified are included, on the basis of new preservation efforts. Extensive coverage is given to Spanish- and other foreign-language films, to foreign versions produced in the U.S., and to coproductions. Surprisingly, independent films figure largely; in some years, out of 500 films produced, 150-200 were independents―works of special social and cultural significance.

Traces the development of the movie musical, discusses the role of the genre, and looks at the structure, style, and themes of American musicals

This eclectic, yet comprehensive analytical overview of the cataclysmic changes in the American film industry since 1990 shows how they have collectively resulted in a new era―The Digital Age.· Includes contributed chapters by two esteemed film scholars, Yannis Tzioumakis and Anne H. Petersen· Presents photographs

238 pages. Softcover. B&w photographs throughout. Foxing to back cover, top edge and fore edge. Otherwise clean, tight copy. Record # 469514

Photographs of 82 directors with a filmography and commentaries on film and directing. Their films listed with dates.

From the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by established film scholars, combining broad historical, social, and political contexts with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, the Batman films, and selected avant-garde and documentary films, among many others. Additional online resources, such as sample syllabi, which include suggested readings and filmographies, for both general and specialized courses, will be available online. May be used alongside American Film History: Selected Readings, Origins to 1960 to provide an authoritative study of American cinema from its earliest days through the new millennium

A closer look at the captivating history of American cinema Written in an engaging narrative style, this text provides a thorough overview of the fascinating intersection of economics, culture, artistry, and technology that has defined American film from its beginnings. The Second Edition features a NEW four-color design, hundreds of new images, greater emphasis on film analysis, increased coverage of women and minority filmmakers, and an epilogue that speculates on the future of film.

While the anti-establishment rebels of 1969's Easy Rider were morphing into the nostalgic yuppies of 1983's The Big Chill, Seventies movies brought us everything from killer sharks, blaxploitation, and disco musicals to a loving look at General George S. Patton. Indeed, as Peter Lev persuasively argues in this book, the films of the 1970s constitute a kind of conversation about what American society is and should be—open, diverse, and egalitarian, or stubbornly resistant to change.Examining forty films thematically, Lev explores the conflicting visions presented in films with the following kinds of subject matter:Hippies (Easy Rider, Alice's Restaurant)Cops (The French Connection, Dirty Harry)Disasters and conspiracies (Jaws, Chinatown) End of the Sixties (Nashville, The Big Chill)Art, Sex, and Hollywood (Last Tango in Paris)Teens (American Graffiti, Animal House)War (Patton, Apocalypse Now)African-Americans (Shaft, Superfly)Feminisms (An Unmarried Woman, The China Syndrome)Future visions (Star Wars, Blade Runner)As accessible to ordinary moviegoers as to film scholars, Lev's book is an essential companion to these familiar, well-loved movies.

Photographs of 82 directors with a filmography and commentaries on film and directing. Their films listed with dates.

From the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by established film scholars, combining broad historical, social, and political contexts with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, the Batman films, and selected avant-garde and documentary films, among many others. Additional online resources, such as sample syllabi, which include suggested readings and filmographies, for both general and specialized courses, will be available online. May be used alongside American Film History: Selected Readings, Origins to 1960 to provide an authoritative study of American cinema from its earliest days through the new millennium

... a model of genre criticism and probably the best overall analysis of the film musical to date." Journal of Popular Films and TelevisionThe American Film Musical is a truly admirable book which is well worth making a song and dance about. It will immediately assume biblical authority for all who are seriously interested in the dream-factory's most lavish fantasies, and it may even come to stand as a landmark in our understanding of Hollywood as a whole.... Altman's book is thorough, well informed and warmly good-humored. It has brought the study of musical films out of the dark ages." Times Literary Supplement... an important addition to both literature and film collections.... a landmark study." Library JournalAltman's important study of the American film musical combines genre theory with film criticism and history.... Recommended... " ChoiceThe American Film Musical is at once the most advanced statement on genre theory and the most complete treatment of the American musical. Altman’s unique interweaving of theory, history, and criticism represents an original and challenging contribution to film studies. Illustrated with over 200 frame enlargements and production stills.

Written by a top scholar in the field, American Film: A History gives students a thorough understanding of the fascinating intersection of artistry and economics in Hollywood cinema from the beginning of film history to the present. A beautiful book and a brisk read, American Film is the most enjoyable and interesting overview of the history of American filmmaking available. Focused on aspects of the film business that are of perennial interest to undergraduates, this book will engage students from beginning to end.

The only source of movie history any fan will want to read. Presented by the American Film Institute, the nation's preeminent organization dedicated to advancing and preserving the art of the moving image, the American Film Institute Desk Reference is the most comprehensive reference book on filmmaking ever published. Providing detailed information on the world of film, its history and its personalities, this single volume is loaded with enough facts and trivia to satisfy any movie buff. Highlighting filmmakers and costume designers, financiers and actors, this complete guide is packed with more than 500 photographs and illustrations, a year by year chronology of film, and many special annotated lists, including the AFI's celebrated list of the 100 Best Films of the Past 100 Years.